The controversry about the Museum of the Home’s racist memorial to slave trader Robert Geffrye continued this month. The Hackney Citizen reported that:
Of the 2,187 respondents to the [museum’s] consultation, 71 per cent voted to take the statue down, with 29 per cent saying to leave it up. Four per cent did not respond to the question.
Protests have been taking place regularly outside the still-closed museum and persons unknown have upped the ante with some radical redecoration to the exterior wall as can be seen in the photo above. Police are apparently investigating this as well as the impressive makeover of the statue itself:
Having steadfastly ignored the wishes of the community, the PR geniuses at the museum raised hackles across the borough with a tweet inviting people to implicate themselves in the ongoing shitstorm:
Their claim about reflecting the communities they serve seems at variance with the position of the Museum’s former Director David Dewing who is said to have stated that he had “no interest in the culture of the labouring classes”.
In happier news, the The Rio Tape/Slide Archive: Radical Community Photography in Hackney in the 80s book has now been published and if you like this blog you should get it. It’s a lavish production with 254 pages filled with amazing photos and some great commentary from participants in the original Rio Tape/Slide project as well as Michael Rosen and Hackney photographer Alan Denney.
My copy arrived a few days ago and the few pages I have managed so far have already piqued my interest for some future entries here.
The book is £26 direct from Isola Press (and I think from the Rio itself and Artsword bookshop on Broadway Market) and is apparently going quick. If you can’t afford that, then check out the related free exhibition at the newly opened Hackney Museum (the museum that knows how to do things properly in Hackney).
The exhibition online launch event is online with some great presentations about Hackney in the 1980s and the background of the production of the book:
Alan Denney is also in conversation with the Hackney Society on 10th December. This free online event will cover his own incredible photos of Hackney in the 1970s and 1980s.
Some great 1980s posters from the Hackney Empire were unearthed this month. The poster on the left was tweeted by Hackney Museum who had this to say:
Opposition to South African Apartheid was widespread in 1980s Hackney In 1985 workers at the British Tyre & Rubber factory (SA) went on strike over rights, pay and conditions. Within 72 hours they were dismissed.This play was put on to raise money for the strikers #bhm2020
The poster on the right was posted by Hackney ranting poet and author Tim Wells on his excellent Stand Up and Spit blog. Tim’s skinhead werewolf pulp horror shocker of a novel Moonstomp was a highlight of last year and was mainly set in late 1970s Hackney. This month he announced his second novel Shine On Me which promises “Skinhead werewolf, mod witches, dead Crass fans!”
Veteran radical Hackney historian Ken Worpole wrote a fascinating obituary for his friend Mick Hugo in the Guardian this month, covering his work as a merchant seaman and his time in Hackney the 1970s as a squatter, housing activist and Centerprise volunteer amongst many other things.
Meanwhile in horticultural history, The Happy Man Tree was voted “Tree of the Year”. It’s a 150 year old grade A London Plane street tree near Woodberry Down which is (still?) slated for demolition by Berkeley Homes.
Hackney Archives is sadly still closed but Friends of Hackney Archives are going strong and have unusually published a copy of their newsletter online with an update on the archives and articles including Philip Twells MP (a slave owner who lived on Stoke Newington Church Street), the campaign to restore the Hackney stocks, Hackney in London Parish maps circa 1900 and more.
Hackney Account is an inspiring youth-led police monitoring group launched earlier this year. They just published their report Policing in Hackney: Challenges From Youth In 2020 with some excellent statistics and commentary about stop and search and other recent policing issues in the borough. I was struck by the title and its resonance with the essential book published by Karia Press in 1988 and how some things have improved since then, while some things have stayed the same.
In the September update I mentioned the public vote to choose the name of the new public square by Britannia Leisure Centre. There are four contrasting radical Hackney options to choose from and the deadline is November 11th.